American Songwriter Mac Leaphart Music City Joke
Andrew Leahey Mac Leaphart Music City Joke
Sound and Soul Mac Leaphart Music City Joke

NEWS

Farce the Music Album Review 

“I do regret the weeks I could have been listening to this album and it is an early favorite here in 2021. I love hearing threads of influence from so many of my favorite artists, and I appreciate Mac Leaphart’s ability to tip his hat to them, without losing his own voice and style. This is an album I will listen to for years to come and that makes him far from a 'Music City Joke' in my eyes.” 

Check out this great review from FarcetheMusic.com

 

 

ABOUT

A journeyman musician, Mac Leaphart has filled his award-winning career with a mix of hook-heavy roots music, honky-tonk rock & roll, and salty, sharply-detailed songwriting. It’s a sound that finds the Nashville-based troubadour nodding to those who've come before him — John Prine, Guy Clark, Billy Joe Shaver, Hayes Carll — while also pushing forward into uncharted territory, earning support from a cross-country spread of folk fans and Americana audiences along the way.  

Before earning his stripes as a road warrior, Leaphart launched his career in South Carolina, where he balanced a nighttime gig as a bartender with a steadily-increasing stream of solo shows. He logged time as a sideman with other bands, too, playing guitar for frontmen who, like him, were making their living on the South Carolina Lowcountry bar scene. Mac saved his best work for his own albums, though, officially kicking off his solo career with 2009's Line, Rope, Etc. and establishing a signature style that mixed twang, tempo, and tightly-constructed lyrics into the same package.  

Leaphart took that signature sound with him to Nashville, leaving behind his native South Carolina and relocating to the epicenter of American roots music. There, he launched a recurring songwriter's night, the Southpaw Social Club, and strengthened his own writing chops, penning songs for other artists' albums as well as his own. Low in the Saddle, Long in the Tooth arrived in 2015, with Lightning Bob — an EP featuring collaborations with Sadler Vaden (Sadler Vaden, The 400 Unit) — following in 2018.  

Filled with greasy, countrified folksongs and tongue-in-cheek talking blues, Lightning Bob showcased Leaphart's growth over the past decade. Even so, Mac — now a husband and father — had begun spending more time at home, prioritizing his family life over his music. His career received a reviving kickstart later that year, though, when he was named a winner of the prestigious Grassy Hill Kerrville New Folk Competition. With renewed confidence, Leaphart began piecing together a new record, one that would find him working with an all-star producer (Brad Jones), a band of Nashville luminaries (Fats Kaplin, Will Kimbrough, and Matt Menefee), and his strongest batch of songs to date.   

Music City Joke is Mac Leaphart at his very best: wry, rugged, and recharged, singing songs that conjure up memories of front porches, honky tonks, heartbreaks, and dive bars. Songs like "Division Street" and the two-stepping title track are salty sketches of Nashville life, while "Every Day" finds Leaphart in family-man mode, painting a picture of his wife's day-to-day routine. He even packs an album's worth of punchlines into the two-and-a-half-minute "Ballad of Bob Yamaha or a Simple Plea in C Major," a clever country song delivered from the perspective of an underused acoustic guitar. Full of lyric-driven, story-based songwriting, Music City Joke is a rallying cry from an artist who has spent more than a decade paying his dues and whittling his craft, joined by a team of longtime Nashville staples.  

 -Andrew Leahey

Coffee rings on a yellow legal pad. A Martin D-28 leaning on a chair. Pacing, words and phrases tumbling, waiting for the right ones to fall into place. Minutes. Hours. Days. Weeks. On a few occasions, years. Sometimes words on paper never find a melody, passed over, crumpled in a waste basket. Sometimes finished songs never find an audience. Good ones sung over and over, like that song on the record that rarely makes it past the first 30 seconds before you start it over. When a song does reach an audience, and someone reaches back, I am instantly reminded of why I started down this road in the first place.

MUSIC

Music City Joke

Mac Leaphart

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Music City Joke

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"Like a more countrified version of John Prine, or a more compositionally-minded version of Jerry Jeff Walker during his gonzo era, Mac Leaphart immediately earns your ear and devotion with this handful of incredibly well-written songwriter songs and rousing boot scooters that are just about perfectly produced and ripe for repeat listening." - Saving Country Music

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Lightning Bob

Mac Leaphart

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Lightning Bob

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Featuring collaborations with Sadler Vaden (Jason Isbell & the 400 Unit)

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Low in the Saddle, Long in the Tooth

Mac Leaphart

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Low in the Saddle, Long in the Tooth

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Low in the Saddle, Long in the Tooth is slightly irreverent and full of heart and wit. It doesn't pander to anyone in particular, but strives to make everybody take a little piece for themselves.

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Line, Rope, Etc.

Mac Leaphart

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Line, Rope, Etc.

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Line. Rope. Etc., is a songwriting tour-de-force, with tunes that draw from the best of the country-folk tradition (think Kristofferson, John Prine, Gram Parsons), and a few times allows himself to slip into the comfortable sweet spot between Southern rock n’ roll and pure honky-tonk bliss. - Kyle Petersen for SceneSC.com

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